We here at Philly Poetry Chapbook Review love poetry, whether it’s in chapbooks or full-length collections. We have a hunch that our readers do, too. Every Tuesday, we publish an update about what full-length poetry titles we know are releasing in the following week.
Information, including product descriptions, is provided by the publisher and not a critical judgment. If we cover the book on this site, links will be included.
Go Figure, Rae Armantrout
Editor’s Pick
Publisher: Wesleyan University Press
Publication Date: August 6, 2024
Format: Hardcover / Paperback / eBook
The poems in Pulitzer Prize-winner Rae Armantrout’s new book are concerned with “this ongoing attempt/ to catalog the world” in a time of escalating disasters. From the bird who “check-marks morning/once more//like someone who gets up/to make sure// the door is locked” to bat-faced orchids, raising petals like light sails as if about to take flight, these poems make keen visual and psychological observations. The title Go Figure speaks to the book’s focus on the unexpected, the strange, and the seemingly incredible so that: “We name things/ to know where we are.” Moving with the deliberate precision that is a hallmark of Armantrout’s work, they limn and refract, questioning how we make sense of the world, and ultimately showing how our experience of reality is exquisitely enfolded in words. “It’s true things fall apart.” Armantrout writes. ‘Still, by thinking/we heat ourselves up.”
Rae Armantrout is the award-winning author of eighteen books of poetry, most recently Finalists and Conjure. Her collection Versed won a National Book Award. a National Book Critics Circle Award and a Pulitzer Prize. Her work has appeared in countless anthologies including Best American Poetry, In The American Tree and Language Poetries.
The Murmuring Grief of the Americas, Daniel Borzutzky
Editor’s Pick
Publisher: Coffee House Press
Publication Date: August 6, 2024
Format: Paperback / eBook
In The Murmuring Grief of the Americas, 2016 National Book Award winner Daniel Borzutzky holds to account the private interests driving Western humanitarian decisions, laying bare the immense toll of exploitative labor practices and the self-serving nature of authoritative bodies. These powerful, musical poems explore our hemispheric grief under the yokes of labyrinthine immigration policies, militarized policing, and mass capitalism.
Daniel Borzutzky is a poet and translator. His 2016 collection, The Performance of Becoming Human, received the National Book Award. Lake Michigan (2018) was a finalist for the Griffin International Poetry Prize. His most recent translation is Paula Ilabaca Nuñez’s The Loose Pearl (2022), winner of the PEN Award for Poetry in Translation. He teaches English and Latin American and Latino studies at the University of Illinois at Chicago.
Fantastic Voyage, Amanda Dalton
Publisher: Bloodaxe Books
Publication Date: August 6, 2024
Format: Paperback
In Fantastic Voyage, Amanda Dalton takes us on journeys into our hidden and ghostly selves, our insides and our ‘other’, exploring the myriad ways in which the human body gives voice to unspeakable truths. These poems put us in and alongside bodies that are ill, out of control and inhabited – our dark innards as harbingers of secrets and fears, the gut as fortune-teller and home to ghosts.
Taking inspiration from sources as disparate as human anatomy and classic 1960s science fiction, this collection charts a deeply personal voyage through grief and loss.
Amanda Dalton is a poet and playwright. Her debut How to Disappear was shortlisted for the Forward Prize for Best First Collection in 1999, and was followed by Stray in 2012. Amanda writes extensively for BBC Radio 4 and 3 including original drama, poetry-dramas, classic adaptations, re-imaginings of film, and lyric essays. Her theatre writing includes text for outdoor and site-specific performance, and drama for young people including commissions with Manchester’s Royal Exchange, Sheffield Theatres and Keswick’s Theatre By The Lake.
I Don’t Want To Be Understood, Joshua Jennifer Espinoza
Publisher: Alice James Books
Publication Date: August 6, 2024
Format: Paperback / eBook
I Don’t Want To Be Understood is a work of resistance against the conventional trans narrative, and a resistance against the idea that trans people should have to make themselves clear and understandable to others in other to deserve human rights. This is a compelling, urgent collection about the body and survival that asks how we learn to love in a culture where normal is defined by exclusion and discrimination.
These poems stretch from childhood to the present day—resisting typical narratives of self-discovery, resilience, and personal growth—and instead asks what it means to be granted or denied personhood by the world around you. It is a personal archive of a trans life laid out in all its messiness and unknowability, and is a book for anyone who has questioned why we place so many limitations on who gets to be considered a human being. These poems do not celebrate survival, but rather ask why transsexuals and other gender non-conforming people must fight so hard to survive in the first place.
Joshua Jennifer Espinoza is a trans woman poet. Her work has been featured in Poetry Magazine, The Paris Review, the American Poetry Review, The Rumpus, Poem-a-day @poets.org, and elsewhere. She is the author of I’m Alive / It Hurts / I Love It (Big Lucks 2019) and THERE SHOULD BE FLOWERS (The Accomplices 2016). She holds an MFA in poetry from UC Riverside and is currently a professor of creative writing. Jennifer lives in California with her wife, poet/essayist Eileen Elizabeth, and their cat and dog.
Scattered Snows to the North, Carl Phillips
Publisher: Farrar, Straus and Giroux
Publication Date: August 6, 2024
Format: Hardcover / eBook
Carl Phillips’s Scattered Snows, to the North is a collection about distortion and revelation, about knowing and the unreliability of a knowing that’s based on human memory. If the poet’s last few books have concerned themselves with power, this one focuses on vulnerability: the usefulness of embracing it and of releasing ourselves from the need to understand our past. If we remember a thing, did it happen? If we believe it didn’t, does that make our belief true?
In Scattered Snows, to the North, Phillips looks though the window of the past in order to understand the essential sameness of the human condition—“Tears / were tears,” mistakes were made and regretted or not regretted, and it mattered until it didn’t, the way people live until they don’t. And there was also joy. And beauty. “Yet the world’s still / so beautiful . . . Sometimes // it is . . .” And it was enough. And it still can be.
Carl Phillips is the author, most recently, of Then the War: And Selected Poems, 2007–2020, for which he received the Pulitzer Prize. He lives on Cape Cod in Massachusetts.
Shadow Reader, Imtiaz Dharker
Publisher: Bloodaxe Books
Publication Date: August 6, 2024
Format: Paperback
Imtiaz Dharker’s new collection pays attention to wilful erasures, exclusions and also to places of sanctuary. This is poetry as music, as momentum, as the texture and taste of languages, joyously sensuous and rich in images. While it acknowledges the everyday and its shadows, it is also an irreverent, playful celebration of life.
Dharker’s main themes, drawn from a life of transitions, are explored with new depth: childhood, exile, journeying, home, displacement, religious strife and terror, and latterly, grief. An accomplished visual artist, the collection includes many of her drawings, which form an integral part of the work.
Imtiaz Dharker grew up a Muslim Calvinist in a Lahori household in Glasgow, was adopted by India and married into Wales. She is an accomplished artist and documentary film-maker, and has published six books with Bloodaxe, Postcards from god (including Purdah) (1997), I Speak for the Devil (2001), The terrorist at my table (2006), Leaving Fingerprints (2009), Over the Moon (2014) and Luck Is the Hook (2018). She was awarded The Queen’s Gold Medal for Poetry for 2014, presented to her by The Queen in spring 2015, and has also received a Cholmondeley Award from the Society of Authors and is a Fellow of the Royal Society of Literature. In 2019 she was appointed Chancellor of Newcastle University.
May Swim, Katie Donovan
Publisher: Bloodaxe Books
Publication Date: August 6, 2024
Format: Paperback
In this collection themes of loss, widowhood and ageing co-exist with observations of the poet’s wild garden and its inhabitants, including a mangy fox she helps to survive. In some of these new poems the comforting delusion of rescue is highlighted as a flawed but human necessity, as in the case of Ishi, the last of his tribe ‘saved to be / a living exhibit in a museum’. Other poems give voice to the remorse that is the haunting of a failed rescue.
In 2017 Katie Donovan was awarded twenty-first O’Shaughnessy Award for Poetry ‘for the intensity and conviction of her poetry, in recognition of the great range of both her craft and her subject matter, and in appreciation of her dedication to the witness and the vocation of the writer’.
Katie Donovan was educated at Trinity College Dublin and the University of California at Berkeley. She has published five books of poetry, all with Bloodaxe Books: Watermelon Man (1993), Entering the Mare (1997), Day of the Dead (2002), Rootling: New & Selected Poems (2010), and Off Duty (2016), which was shortlisted for the Irish Times–Poetry Now Award. She is the author of Irish Women Writers: Marginalised by Whom? (Raven Arts Press, 1988), and has co-edited two anthologies, Dublines (with Brendan Kennelly), published by Bloodaxe Books in 1996, and Ireland’s Women: Writings Past and Present (with A. Norman Jeffares and Brendan Kennelly), published by Kyle Cathie (Britain) and Gill and Macmillan (Ireland) in 1994. In 2017 she was awarded the 21st Lawrence O’Shaughnessy Award for Poetry.
Two of Everything, Sally Keith
Publisher: Milkweed Editions
Publication Date: August 6, 2024
Format: Paperback
From Guggenheim fellow and celebrated author Sally Keith comes an incantatory collection of poems on the transformative process of nurturing new life and the practical challenges of starting a family.
In Two of Everything, Keith depicts an evocative domestic landscape. An oriole weaves a nest of “straw, wool, horsehair, and feather” while hopeful parents meet with social workers, compile family videos, write, sketch. Intertwined with these scenes is a candid navigation of the US adoption industry and the unique obstacles faced by queer couples. “I want Amor to promise me that everything will be alright,” says the speaker-poet. “But she won’t.” Interviews don’t go as expected, mothers withdraw from adoption conversations, “the bees are dying again.” Torn by feelings of shame for participating in a system that commodifies children, Keith’s speaker-poet finds herself caught between longing and dismay, wondering if and how poetry can carry us through such moments—and through the mysteries of existence.
But despite their difficult subject matter, these resilient poems sing with love. Singularly thoughtful and characterized by Keith’s lush lyricism, this collection demonstrates the tenacity and tenderness needed to build “harbor, shelter, home, house” against all odds.
Sally Keith is the author of Two of Everything, as well as four previous collections of poetry, including River House and The Fact of the Matter. Recipient of a Guggenheim Foundation Fellowship in 2016, she is a member of the MFA faculty at George Mason University and lives in Fairfax, Virginia.
Hivestruck, Vincent Toro
Publisher: Penguin Books
Publication Date: August 6, 2024
Format: Paperback / eBook
Vincent Toro’s third collection of poetry is a work of Latinxfuturism that confronts the enigmatic and paradoxical relationship human beings have with technology. The poems are a tapestry of meditations on social media and surveillance culture, satires on science fiction and the space race, interrogations of artificial intelligence, cyborg economics, and biohacking, and tributes to women and queer and BIPOC people who have contributed and are contributing to human survival and progress in a technology obsessed world.
Vincent Toro is a Puerto Rican poet, playwright, and professor. He is the author of two poetry collections: Tertulia and Stereo.Island.Mosaic., which won the Poetry Society of America’s Norma Farber First Book Award. Vincent is a recipient of the Caribbean Writer’s Cecile De Jongh Poetry Prize, the Spanish Repertory Theater’s Nuestras Voces Playwriting Award, a Poet’s House Emerging Poets Fellowship, a New York Council for the Arts Fellowship in Poetry, and a New Jersey State Council for the Arts Writer’s Fellowship. His poetry and prose have been published in dozens of magazines and journals and have been anthologized in Saul Williams’ CHORUS, Puerto Rico En Mi Corazon, Best American Experimental Writing 2015, Misrepresented People, and The Breakbeat Poets Vol. 4: LatiNEXT. He is an Assistant Professor of English at Rider University, is a Dodge Foundation Poet, and is a contributing editor for Kweli Literary Journal.
Transgenesis, Ava Nathaniel Winter
Publisher: Milkweed Editions
Publication Date: August 6, 2024
Format: Paperback
Selected by Sean Hill for the National Poetry Series, this collection is a scrupulous chronicle of individual and cultural knowledge. In an exceptional debut, Ava Nathaniel Winter challenges our concepts of the beautiful and the sacred, delving not only into the historically marginalized, but also into the chilling subconscious of supremacy. “Let me be clear / from this beginning,” she writes, “What I mean by beauty / is a terror I have fled from / into language.”
Winter writes with a documentarian’s attention, a poet’s resonance. “I’m trying,” she admits, “to find language for what we do / to one another.” From Łódź, Poland, to predominantly white suburban America, from the space shared by queer lovers to antique cabinets filled with Nazi memorabilia, from Talmudic depictions of genderqueer rabbis to archival lynching photos, she regards the tender and the difficult with equal gravity, commemorates the fraught gift of survival.
At the heart of this collection—despite its moments of profound darkness—is a new, hard-won holiness. The “earthy aroma of rye” calling up a mother’s baking, her mother’s, hers. Belief in a lover’s lavishing. A chosen future, one where we are “reader, sibling, sister.” If Transgenesis began in fear of beauty, where it lands is this: “turning at last / to face her.”
Ava Nathaniel Winter is the author of Transgenesis, selected by Sean Hill for the 2023 National Poetry Series, and the poetry chapbook Safe House. Her work has appeared in The Baffler, Beloit Poetry Journal, Poetry International, Room, TriQuarterly, and elsewhere. She served as a Stadler Fellow at Bucknell University and received an Individual Excellence Award from the Ohio Arts Council. Winter holds an MFA from the Ohio State University and a PhD from the University of Nebraska–Lincoln, where she teaches in the Department of English and the Women’s and Gender Studies Program.
What Can the Matter Be?, Keith Taylor
Publisher: Wayne State University Press
Publication Date: August 6, 2024
Format: Paperback
In these candid poems, Keith Taylor demonstrates his finest power of observation, watching the natural and human world go by. What Can the Matter Be? considers aging and death—of the self, of animals, of the earth—as well as place, and how rootedness in place allows a sturdy vantage point from which to see and reflect on the wider world. In poems and prose both grave and gleeful, Taylor controls the line and the lyric with experience and care. His curiosity and admiration for nature shine through in poems such as “Under Their Mortal Glory” and “The Gleaners,” while “Responsibilities” and “That Room in Alberta” contrast the minutia of individually lived moments against the global, uncontrollable decay of nature and societies. And then there are moments of sheer delight, as in “Twenty-Three Nuns on Warren Road.” Together, these nuanced and often surprising works urge empathy and call out in sorrow, love, and hope for the world.
Keith Taylor worked as a bookseller for many years and taught in writing programs at the University of Michigan. His poems and prose have been published widely, including twenty poetry collections and chapbooks. Taylor retired from teaching in 2018, and in 2022, he was named A. L. Becker Collegiate Lecturer Emeritus and Lecturer IV Emeritus by the Regents of the University of Michigan.
Evaporating Rage, Norm Mattox
Publisher: Black Lawrence Press
Publication Date: August, 2024
Format: Paperback
In June of 2023, Black Lawrence Press welcomed numerous existing and forthcoming Nomadic Press titles to our catalogue. Evaporating Rage is one of the forthcoming Nomadic Press titles that we acquired.
Norm Mattox is a poet. He served as a bilingual educator in the public school system of San Francisco Unified School District for over 30 years. Though retired, Norm is a teacher (‘maestro’ in Spanish) for life. His poetry is a journey through the voices that tell a story of love in a time of struggle and challenge. Norm has shared his poetry as a featured reader, at open mics around the San Francisco Bay Area, select venues in New York City and other parts of the world across the ‘zoom universe’. Norm’s poetry has been published in two chapbooks. His first collection is titled, Get Home Safe, Poems for Crossing the Community Grid. Norm’s second chapbook length collection is titled Black Calculus, published in 2021 by Nomadic Press. An audiobook by the same title was released in 2021.
Caulbearer, Luisa A. Igloria
Publisher: Black Lawrence Press
Publication Date: August, 2024
Format: Paperback
In many cultures, a caul is considered talismanic; and a child born with it, possessing luck or protection. Luisa A. Igloria invokes this metaphor to weave poems exploring the veiled intervals of transition experienced by those in the diaspora—or by anyone who has felt a severing from their origins. The poems in Caulbearer enter spaces not only of nostalgia, loss, and impossible return. They also offer opportunities for glimpsing pleasure in the re-imagining and telling of our own stories, for as long and as many times as we need, in a world still full of beauty and mystery.
Originally from Baguio City, Luisa A. Igloria is the author of Maps for Migrants and Ghosts (Co-Winner, 2019 Crab Orchard Open Poetry Prize, Southern Illinois University Press, 2020), The Buddha Wonders if She is Having a Mid-Life Crisis (Phoenicia Publishing, Montreal, 2018), and 12 other books. She is lead editor, along with co-editors Aileen Cassinetto and Jeremy S. Hoffman, of Dear Human at the Edge of Time: Poems on Climate Change in the United States (Paloma Press, September 2023). In 2015, she was the inaugural recipient of the Resurgence Poetry Prize (UK), the world’s first major award for ecopoetry, selected by a panel headed by former UK Poet Laureate Andrew Motion. She is a Louis I. Jaffe Professor of English and Creative Writing in the MFA Program at Old Dominion University, and also leads workshops for and is a member of the board of The Muse Writers Center in Norfolk. During her appointed term as 20th Poet Laureate of the Commonwealth of Virginia (2020-22), Emerita, the Academy of American Poets awarded her one of twenty-three Poet Laureate Fellowships in 2021, to support a program of public poetry projects.
Phosphene, Brandon Logans
Publisher: Black Lawrence Press
Publication Date: August, 2024
Format: Paperback
From inside the glass, visible breath rises against the pane. A hand unseen carves the moist fog into words, like ghostly messages from the other side: points to consider, mappings gesturing towards escape, a puncture to mull over or anchor the body back down to Earth. Phosphene is a cyclical underworld journey, where light is both pressure and maze. The poetic voice meanders in the inbetween, a porous vessel, negotiating what it means to survive, be perceived, and the conundrum of escape between these densities of alienation.
Brandon Logans is a poet from Oakland, California with an M.F.A in Poetry from Mills College. His work has been published in the Patrice Lumumba Anthology, Foglifter, Variety Pack’s Special Issue Black Voices of Pride, and Action, Spectacle. He might describe himself as a rectangular sheet of honey 30” x 62”, 6” above any surface.
East Rock, Paul Stroble
Publisher: Finishing Line Press
Publication Date: August 9, 2024
Format: Paperback
Inspired by a painting that conflates New England and the American Southwest, Paul Stroble has written a poem that melds his years in Connecticut and Arizona. He acknowledges the history and presence of Native American tribes in the lands that he himself has loved. As a descendant of the Mayflower pilgrims, Stroble uses biblical, geological, historical, and personal resources on a pilgrimage of family and identity via his American forbears.
Paul Stroble teaches philosophy and religious studies at Webster University in St. Louis and is also adjunct faculty at Eden Theological Seminary. A grantee of the National Endowment for the Humanities and the Louisville Institute, he has written several books, primarily church related, and numerous articles, essays, and curricular materials. His previous chapbooks with Finishing Line Press are Dreaming at the Electric Hobo (2015), Little River (2017), Small Corner of the Stars (2017), Backyard Darwin (2019), and Galápagos Joy (2023), as well as the full-length Walking Lorton Bluff (2020) and Four Mile (2022).
Brazos, Justin Carter
Publisher: Belle Point Press
Publication Date: August 6, 2024
Format: Paperback
A stark and lonely voice rings clear in Justin Carter’s debut collection. Brazos teems with ghosts, bloodlines, and gas flares, tracing a “river cloaked in mud” that trudges toward the Texas Gulf Coast. In these poems, a complex Millennial coming-of-age story emerges amidst the grief for a place that seems to disappear while standing still—always haunted by the ways “we’ve all been pulled under” the currents of violence, identity, and change.
Justin Carter’s poems have appeared in The Adroit Journal, Bat City Review, DIAGRAM, and other spaces. Originally from the Texas Gulf Coast, Justin currently lives in Iowa and works as a sports writer and editor. Brazos is his debut collection.
Three by Tsvetaeva, Marina Tsvetaeva, Andrew Davis (Tt.)
Publisher: NYRB Poets
Publication Date: August 6, 2024
Format: Paperback / eBook
The three poems in this collection, “Backstreets”, “Poem of the Mountain” and “Poem of the End,” were all written in the few short years spanning the period immediately preceding Tsvetaeva’s move from the Soviet Union to Prague in 1922. “Poem of the Mountain” and “Poem of the End” are generally considered some of her finest poems and have been translated widely; “Backstreets,” initially dismissed by Russian readers as nigh unintelligible, is almost unknown in English. Andrew Davis’s translation is a first, and it reveals the poem in all in its emotional intensity and poetic pyrotechnics as among Tsvetaeva’s greatest achievements.
“Poem of the Mountain” and “Poem of the End” both concern the end of an affair. “Backsteets,” by contrast, is a retelling of the Russian folk-tale of Dobrynya and Marinka. It is a very free retelling, however. In the original story a hero (Dobrynya) is seduced by a witch (Marinka) and turned into an aurochs, the extinct European ancestor to modern cattle. Marinka is then forced by Dobrynya’s sister, herself possessed of magic powers, to restore Dobrynya to his original form. This she does, though at the same time extorting from him a promise to marry her in exchange for the restoration. He marries her, but murders her on their wedding night. Almost none of this makes it into “Backstreets,” though the poem does retain the sense of magic and menace of the original. What is actually being described, is, beneath everything, a remarkable description of a highly charged erotic encounter. The poem is the clearest expression of Tsvetaeva’s understanding of love and its possibilities.
Davis’s versions of Osip Mandelstam’s Voronezh Notebooks have been widely admired. Here he brings his talents as poet and translator to the work of a Russian poet whose achievement has loomed ever larger with the years.
Marina Tsvetaeva (1892–1941) was born in Moscow and published her first book of poems at seventeen. Tsvetaeva left Russia in 1922 with her two children and her husband, Sergei Efron, who fought against the Red Army in the 1918–1921 Civil War but was later to become a Soviet spy. Often living from hand to mouth, the family remained abroad until 1939. Two years later, after the execution of her husband and the arrest of her daughter, Tsvetaeva committed suicide. Along with numerous lyrics, her works include several extraordinary long poems, among them The Poem of the End, The Poem of the Mountain, and The Ratcatcher.
Andrew Davis is a poet, cabinetmaker, and visual artist. His current project is the long poem IMPLUVIUM. He divides his time between Santa Fe, New Mexico, and the north coast of Spain.
The Way the Moon, Holly Haworth
Publisher: Mercer University Press
Publication Date: August 6, 2024
Format: Paperback / eBook
Holly Haworth “trace[s] the moon through the traceless sky” in a meditation on time’s cyclical nature and how it slips away–and on writing as a way of time-keeping, poetry a tool for etching memory. Here we find Haworth no less in thrall to language than to the land. As she probes the failure of words to capture the world, she puts us under a spell, enlivening our hearts with nature and mystery. Moments become visceral acts of communion, of sensual presence. There is a devotion here both to the death that is inherent to time’s passing, and to the life that is constantly arising. Mournful lament and exuberant praise, The Way the Moon compels us to stop in our tracks and savor even the losses.
Holly Haworth’s nonfiction writing has appeared in The New York Times Magazine, Orion, Oxford American, Lapham’s Quarterly, Literary Hub, Creative Nonfiction, Sierra, and at the On Being radio program blog. Her essays have been listed as notable in The Best American Travel Writing and included in The Best American Science and Nature Writing. Haworth is a member of the Society of Environmental Journalists. This is her first book of poetry.
Don’t see a poetry title published between 8/6 and 8/12 here? Contact us to let us know!
Contents
Check out new poetry books published the week of 7/2 from Black Lawrence Press, LSU Press, Persea, Omnidawn, Bloodaxe Books and Central Avenue Publishing.
Check out new poetry chapbooks for June 2024 from Driftwood Press, Sheila-Na-Gig Inc., Diode Editions, Querencia Press, The Poetry Box, Finishing Line Press, Bottlecap Press and an Editor’s Pick from Tupelo Press.
Check out new poetry books published the week of 7/9 from Finishing Line Press, New Directions, Phoneme Media, University of Calgary Press and Curbstone Books.
July ‘24: A Fledgling Journal No More
We’ve completed our first volume, there’s a new featured chapbook poem, and we’re starting to look for a Poetry Editor to expand what we publish. Check out the editor’s note for July 2024.
Chapbook Poem: Whenua by Nicola Andrews
Read the featured Chapbook Poem of the Month for July 2024, “Whenua” from Māori Maid Difficult by Nicola Andrews, along with a few words from the poet.
Check out new poetry books published the week of 7/16 from Finishing Line Press, Soft Skull, Penguin Books, Regal House Publishing and University Of Minnesota Press.
Check out new poetry books published the week of 7/23 from Host Publications, W. W. Norton & Company, Carcanet Press Ltd., LSU Press, Finishing Line Press, The Song Cave and Wake Forest University Press.
Check out new poetry books published the week of 7/30 from Delete Press, Quale Press, Duke University Press, Seagull Books, Sarabande Books, Michigan State University Press and Alternating Current Press.
Southern Literary Tradition: On ‘Snake Lore’ by Jane Morton
In this essay, C.M. Crockford reviews “Snake Lore” by poet Jane Morton, a chapbook published by Black Lawrence Press in February 2024.
Check out new poetry books published the week of 8/6 from NYRB Poets, Belle Point Press, Finishing Line Press, Black Lawrence Press, Wayne State University Press, Milkweed Editions, Penguin Books, Bloodaxe Books, Farrar, Straus and Giroux, Alice James Books, Mercer University Press and two Editor’s Picks from Coffee House Press and Wesleyan University Press.
Chapbook Poem: It’s okay to say the hurricane has an eye by Amanda Rabaduex
Read the featured Chapbook Poem of the Month for August 2024, “It’s okay to say the hurricane has an eye” from Resin in the Milky Way by Amanda Rabadeux, along with a few words from the poet.
Check out new poetry chapbooks for July 2024 from Seven Kitchens Press, Small Harbor Publishing, Belle Point Press, Orison Books, Variant Lit, Querencia Press, The Poetry Box, Bottlecap Press and Finishing Line Press.
Check out new poetry books coming the week of 8/13 from Querencia Press, Alice James Books, Finishing Line Press, University of New Mexico Press, Harbour Publishing, Knopf, Amistad, TriQuarterly and Red Hen Press.
Check out new poetry books coming the week of 8/20 from Querencia Press, Finishing Line Press, McClelland & Stewart, Zephyr Press, Tin House Books, W. W. Norton & Company, Red Hen Press, Graywolf Press, Wesleyan University Press and an Editor’s Pick from Copper Canyon Press.
Check out new poetry books for the week of 8/27 from Carcanet Press Ltd., Beltway Editions, Finishing Line Press,, LSU Press, Milkweed Editions, Tupelo Press, Guernica Editions, University of Nebraska Press and Texas Review Press.
Resistance and Resignation in Will Russo’s Glass Manifesto
“Glass Manifesto is a meditative collection of poems that call to resist the powers that move the world at times, or resign and offer oneself up to them at others.” Review by PCR contributor, Drishya.
Meet our contributor, Drishya, a writer and artist based in Kolkata, India, publishing under a single name to protest India’s caste system. Read about his writing life and other work.