We here at Philly Poetry Chapbook Review love poetry, whether it’s in chapbooks or full-length collections. We have a hunch that our readers do, too. Every Tuesday, we publish an update about what full-length poetry titles we know are releasing in the following week.
Information, including product descriptions, is provided by the publisher and not a critical judgment. If we cover the book on this site, links will be included.
After Image, Jenny George
Publisher: Copper Canyon Press
Publication Date: October 8, 2024
Format: Paperback
A house, an orchard, “a shudder of blossoms.” A fountain, a bed, a sudden spring snow. Carefully woven from a dreamlike set of images which echo and reconfigure throughout the collection, the poems in Jenny George’s After Image hug the cusp between life and death, between a living body and its absence. “And in the space / left behind—” Time slips. Eurydice muses on the gestures of the living, and we look out from inside the removed head of Orpheus. The laughing gods and the furies make appearances too, and the poet’s persona appears as its own character—the observing self, navigating the strangenesses of grief’s terrain. Unsentimental yet pulsing with love, each cutting and transcendent poem is relentless in its willingness to see, to hold both the impossibility and inevitability of transformation. In scenes that hover between the ordinary, the imagined, and the unknowable, and with George’s sly, meticulous simplicity, After Image asks what lingers in the face of death and what falls away.
Jenny George is the author of The Dream of Reason (Copper Canyon Press, 2018). She is also a winner of the Discovery/Boston Review Poetry Prize and a recipient of fellowships from the Bread Loaf Writers’ Conference, the Lannan Foundation, the MacDowell Colony, and Yaddo. Her poems have appeared in The New York Times, Ploughshares, Narrative, and elsewhere. Jenny lives in Santa Fe, New Mexico, where she works in social justice philanthropy.
Inner Verses, Pam Rehm
Publisher: Wave Books
Publication Date: October 8, 2024
Format: Paperback
Comprising lyric poems that are attentive to “the underneath mind / growing more and more / quieted,” Inner Verses is a collection that understands the ways in which time is mutable and brief. Here, we experience a genuine devotion for both birdsong and breath, and the intimacies of thought connecting the two. In this way and with exacting tenderness, Pam Rehm creates poems that relish solitude and yet are generous enough to carry us as company.
Pam Rehm is the author of Time Will Show (Shearsman Books, 2018), The Larger Nature (Flood Editions, 2011), Small Works (Flood Editions, 2005), Gone to Earth (Flood Editions, 2001), To Give It Up (Sun & Moon Press, 1994), and The Garment in which No One Had Slept (Burning Deck Press, 1993). She lives in Manhattan.
The Holy & Broken Bliss, Alicia Ostriker
Publisher: Alice James Books
Publication Date: October 8, 2024
Format: Paperback/ eBook
How can we find meaning in the face of aging, illness, and the inevitability of death? How can we respond to the double plague of a fierce pandemic and a divided society? The keenly observant and urgent poems of The Holy & Broken Bliss are grounded in daily existence, human tenderness, the rituals of a long marriage, and the poet’s ongoing spiritual quest. In the middle of a world that seems to be breaking down into suffering and anger, the spare and direct lines of these poems, surrounded by silence, offer a kind of healing. The poems ask us to consider what living looks like inside of ongoing misery (misery we often are responsible for making and accepting). They call us to ask ourselves how we locate joy and even laughter when despair is ever-present. The Holy & Broken Bliss contemplates free will, autonomy, self-control, the commodification of ourselves, and our desires for vengeance, satiation, rage, and acknowledgment of our collective sicknesses, along with the sacred possibilities of love, communication with nature, the power of art, and the “need to praise.”
Alicia Ostriker has published 19 collections of poetry, been twice nominated for the National Book Award, and has twice received the National Jewish Book Award for Poetry, among other honors. Her work has appeared in The New Yorker, The Yale Review, American Poetry Review, Best American Poetry, The Atlantic, Prairie Schooner, and other journals, and has been translated into numerous languages including Hebrew and Arabic. Her most recent collections of poems are Waiting for the Light and The Volcano and After: Selected and New Poems 2002-2019. She was New York State Poet Laureate for 2018-2021 and a Chancellor of the Academy of American Poets in 2015-2020. She lives with her husband in New York City.
Stem, Stella Wong
Publisher: Princeton University Press
Publication Date: October 8, 2024
Format: Hardcover / Paperback / eBook
In Stem, Stella Wong intersperses lyric poems on a variety of subjects with dramatic monologues that imagine the perspectives of specific female composers, musicians, and visual artists, including Johanna Beyer, Mira Calix, Clara Rockmore, Maryanne Amacher, and Delia Derbyshire. In such lines as “let me tell you how I make myself appear / more likeable,” “as I grow older I like looking at chaos,” and “I want to propose a hike / and also propose mostly,” Wong’s style is confident and idiomatic, and by turns contemplative and carefree. Whether writing about family, intimate relationships, language, or women’s experience, Wong creates a world alive with observation and provocation, capturing the essence and the problems of life with others.
Stella Wong is the author of the poetry collection Spooks and the chapbook American Zero. Her poems have appeared in many publications, including Poetry, Los Angeles Review of Books, Colorado Review, Lana Turner, and Bennington Review.
I Was Working, Ariel Yelen
Publisher: Princeton University Press
Publication Date: October 8, 2024
Format: Hardcover / Paperback / eBook
Seeking to find a song of the self that can survive or even thrive amid the mundane routines of work, Ariel Yelen’s lyrics include wry reflections on the absurdities and abjection of being a poet who is also an office worker and commuter in New York. In the poems’ dialogues between labor and autonomy, the beeping of a microwave in the staff lounge becomes an opportunity for song, the poet writes from a cubicle as it is being sawed in half, and the speaker of the title poem decides “to quit everything except work,” sacrificing her life and loved ones to bury herself in her four jobs, striving at any cost to find relief from the attempt to both have a life and be a good worker—“No one was happy to see me, and so / at last I could work. No one said it’s okay. It wasn’t / okay, thus my work flourished.” Despite such discontents, I Was Working finds humor, play, and even joy in its original and compelling search for the possibility of self-liberation.
Ariel Yelen is a poet whose work has been published in Poetry, BOMB, the American Poetry Review, Washington Square Review, and other magazines.
Ever After, Fred Chappell
Publisher: LSU Press
Publication Date: October 10, 2024
Format: Paperback / eBook
In his final book, the celebrated poet Fred Chappell reflects on life and the beyond. Details drawn from daily actions, religion, classical myth, and the Appalachian landscape adorn this autumnal collection that unearths connections both strong and tenuous among apparently disparate subjects, all percolated with Chappell’s signature wit and warm vision. A student’s observation that “Poems are how we see with our eyes closed” comes to resemble an icon of sorrow. A stairway to heaven ends with a jug of wine. Memories assume shifting appearances. Often written in traditional sonnet forms, Chappell’s poems display astonishing technical skill and indefatigable humanity as they gaze on the challenges of life and the great unknown.
A spirited and friendly farewell, Ever After shows an accomplished and much-beloved American writer gracing us with poems of remarkable originality, craft, and insight.
Before his death in 2024, Fred Chappell published more than thirty volumes of poetry and prose. Honors bestowed on his work include the Bollingen Prize, the Aiken Taylor Award, the T. S. Eliot Prize, and the Thomas Wolfe Prize. His fiction was translated into more than a dozen languages and received the Best Foreign Book Award from the Académie Française. A native of Canton in the mountains of western North Carolina, Chappell was the state’s poet laureate from 1997 to 2002 and an English professor at the University of North Carolina–Greensboro for forty years.
Purchase, Lyrae Van Clief-Stefanon
Publisher: University of Pittsburgh Press
Publication Date: October 8, 2024
Format: Paperback
Purchase is for those who are grieving, who feel frightened by the world’s meanness, who are solitary. It is for those who, even in the midst of mourning, find themselves distracted from despair by the natural world. It is for everyone looking to find comfort and understanding. From a hidden river in upstate New York to a massive flood in Kentucky, currents of all strengths run through these poems, taking the reader through grief, estrangement, and the too-often unseen interiority of Black women, landing at a new perspective, the light of faith dawning.
Lyrae Van Clief-Stefanon is the author of ] Open Interval [, a finalist for the National Book Award and the LA Times Book Prize, and Black Swan, winner of the Cave Canem Poetry Prize and finalist for the Paterson Poetry Prize. She has been awarded fellowships from Cave Canem, the Lannan Foundation, Civitella Ranieri, and the New York State Council on the Arts/New York Foundation for the Arts.
Paper Boat: New and Selected Poems: 1961-2023, Margaret Atwood
Publisher: Knopf
Publication Date: October 8, 2024
Format: Hardcover / eBook
Tracing the legacy of Margaret Atwood—a writer who has fundamentally shaped the contemporary literary landscapes—Paper Boat: New and Selected Poems, 1961–2023 assembles Atwood’s most vital poems in one essential volume.
In pieces that are at once brilliant, beautiful, and hyper-imagined, Atwood gives voice to remarkably drawn characters—mythological figures, animals, and everyday people—all of whom have something to say about what it means to live in a world as strange as our own. “How can one live with such a heart?” Atwood asks, casting her singular spell upon the reader and ferrying us through life, death, and whatever comes next. Atwood, in her journey through poetry, illuminates our most innate joys and sorrows, desires and fears.
Spanning six decades of work—from her earliest beginnings to brand-new poems—this volume charts the evolution of one of our most iconic and necessary authors.
Margaret Atwood is the author of more than fifty books of fiction, poetry, and critical essays. She has won the Booker Prize, the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award, and the Dayton Literary Peace Prize. She lives in Toronto, Canada.
Absent Here, Bret Shepard
Publisher: University of Pittsburgh Press
Publication Date: October 8, 2024
Format: Paperback
Landscape and language drive the poems in Absent Here, which explore loss, community, the changing environment, and whiteness of skin and scenery against the backdrop of the Alaskan North Slope of the author’s youth. More than mere background, the land and water become characters in their own right, guiding syntactic forms and flowing reflections. Bret Shepard merges cultural experiences with meditative moments, ensuring that the voices and stories of this community are not lost to time, as so much has been already.
Bret Shepard is from the North Slope of Alaska. He is the author of Place Where Presence Was, winner of the Moon City Press Book Award, as well as two chapbooks, including The Territorial, which won the Midwest Chapbook Award from the Laurel Review.
House of Grace, House of Blood, Denise Low
Publisher: University of Arizona Press
Publication Date: October 8, 2024
Format: Paperback
Intertwining a lyrical voice with historical texts, poet Denise Low brings fresh urgency to the Gnadenhutten Massacre. In 1782, a renegade Pennsylvania militia killed ninety-six pacificist Christian Delawares (Lenapes) in Ohio. Those who escaped, including Indigenous eyewitnesses, relayed their accounts of the atrocity. Like Layli Longsoldier’s Whereas and Simon Ortiz’s from Sand Creek, Low delves into a critical incident of Indigenous peoples’ experiences. Readers will explore with the poet how trauma persists through hundreds of years, and how these peoples have survived and flourished in the subsequent generations.
In a personal poetic treatment of documents, oral tradition, and images, the author embodies the contradictions she unravels. From a haunting first-person perspective, Low’s formally inventive archival poetry combines prose and lyric, interweaving verse with historical voices in a dialogue with the source material. Each poem builds into a larger narrative on American genocide, the ways in which human loss corresponds to ecological destruction, and how intimate knowledge of the past can enact healing.
Ultimately, these poems not only reconstruct an important historical event, but they also put pressure on the gaps, silences, and violence of the archive. Low asks readers to question not only what is remembered, but how history is remembered—and who is forgotten from it. Reflecting on the injustice of the massacre, the Shawnee leader Tecumseh lamented that though “the Americans murdered all the men, women, and children, even as they prayed to Jesus . . . no American ever was punished, not one.” These poems challenge this attempted erasure.
Denise Low, former Kansas Poet Laureate, is on the board of Indigenous Nations Poets. Her recent books are The Turtle’s Beating Heart: One Family’s Story of Lenape Survival, Jigsaw Puzzling and A Casino Bestiary. She taught at Haskell Indian Nations University for twenty-five years.
Boxed Juice, Danielle Chapman
Publisher: Unbound Edition Press
Publication Date: October 8, 2024
Format: Paperback
Boxed Juice is a rare and original work that makes clear why Danielle Chapman is so vital to contemporary poetry. Spontaneous and indelible, enchanting and disillusioned, extravagant and direct, these poems reveal what Chapman sees from within roles that our culture often renders invisible or ridiculous – mother, caregiver, Christian mystic, literary wife. From the taut, linguistically nimble stanzas of “Unspeakable” and “Kumquat” to the devastating and funny lyric essay at the book’s center, Chapman invokes constraints even as she exuberantly shatters them. Yet, as acclaimed poet and critic Peter Campion notes in his foreword, “for all its elegance, this remains a work pitched against despair, an act of survival.” Chapman and her husband, Christian Wiman, had been married for only 10 months when, in 2005, he was diagnosed with a rare, incurable form of lymphoma, an event that ignited the couple’s mutual thirst for God, and their quest for poems that could capture it. Chapman’s work witnesses that harrowing story even as it maps a vision forward, stubbornly relishing the mischief and the joy, the ecstasy and absurdity – and, above all, the sound – of life, even when threatened by catastrophe. Following Delinquent Palaces (TriQuarterly, 2015), Boxed Juice distills Chapman’s craft into a miracle of resilience. Danielle Chapman’s poems are those of a spirit in whom the experience of being crushed is saved by the music that it yields.
Danielle Chapman is a poet, nonfiction writer, and lecturer in English at Yale University. Her previous collection of poems, Delinquent Palaces, was published by Northwestern University Press in 2015, and her memoir, Holler: A Poet Among Patriots, was released by Unbound Edition Press in 2023. She currently teaches Shakespeare and creative writing, and lives in Hamden, Connecticut with her husband, Christian Wiman, and their twin daughters, Fiona and Eliza.
Animals Out-There W-i-l-d, Raymond Luczak
Publisher: Unbound Edition Press
Publication Date: October 8, 2024
Format: Paperback
In this groundbreaking collection of sign language gloss poetry, the first of its kind to be published, Raymond Luczak explores the dynamics of written English poetry and ASL gloss by communing with the animals living in Michigan’s Upper Peninsula.
Having lost much of his hearing at the age of nine months, Luczak was not allowed to use sign language until he was 14 years old, when he demanded to learn it. In the mining town of Ironwood, Michigan, Luczak felt isolated among his hearing peers at school and his family members at the dinner table. More at home in the woods, he discovered a place both wild and welcoming, with no need to guess at meaning through lipreading. Sensing a kinship with the array of animals there, he believed they understood him in ways the hearing world could not. Knowing Deaf people had historically and wrongly been outcast as languageless and wild, Luczak reclaims the woods as a source for his own natural language and sense of belonging.
As a Deaf writer giving English poetry readings in American Sign Language (ASL), Luczak faced the challenge of performing his work in ASL, so he developed his own system of notating ASL gloss on the page. It is this deeply personal, interior language that Luczak uses to animate this moving collection, making his poems legible – knowable, accessible – across communities too often separated by a lack of knowledge.
Raymond Luczak is the author and editor of over 30 books, including the poetry collections Chlorophyll, Lunafly, and Far from Atlantis; once upon a twin was selected as a Top Ten U.P. Notable Book of the Year for 2021. His prose titles include A Quiet Foghorn: More Notes from a Deaf Gay Life and the award-winning Deaf gay novel Men with Their Hands. His most recent anthologies as editor are Yooper Poetry: On Experiencing Michigan’s Upper Peninsula and Oh Yeah: A Bear Poetry Anthology. A proud Yooper native and an inaugural Zoeglossia Poetry Fellow, he lives in Minneapolis, Minnesota.
cop city swagger, Mercedes Eng
Publisher: Talonbooks
Publication Date: October 8, 2024
Format: Paperback
Investigating whose safety really matters in the most expensive city in the nation, cop city swagger conducts a threat assessment of Vancouver’s police. Holding close lived and living connections to the Downtown Eastside and Chinatown neighbourhoods, Eng juxtaposes the police’s and the city’s institutional rhetoric with their acts of violence against marginalized people, presenting a panoramic media montage of structural harm and community care.
Mercedes Eng is the author of Mercenary English, Prison Industrial Complex Explodes, winner of the Dorothy Livesay Poetry Prize, my yt mama, and cop city swagger. Her writing has appeared in Hustling Verse: An Anthology of Sex Workers’ Poetry, Jacket 2, Asian American Literary Review, The Capilano Review* and The Abolitionist. She was the Writer-in-Residence and a Shadbolt Fellow at Simon Fraser University and recently co-curated her first exhibition with Keimi Nakashima-Ochoa, Inside/Out: the art show my dad never had* Mercedes teaches at Emily Carr University of Art + Design, where she organizes the On Edge reading series.
Chambersonic, Oana Avasilichioaei
Publisher: Talonbooks
Publication Date: October 8, 2024
Format: Paperback / eBook
Chambersonic imagines the book as an acoustic chamber. This collection of poems, essays, performance scores, and audio recordings comes alive with documents, rehearsals, and reverberations, all populated by an ensemble of players, instruments, and materials that make sound together. A conductor fades in and out; the audience acts as choreographer; agencies, noises, and situations test their volumes and energies – until voices morph into rebellious notation, signalling the near-silenced, the dissonant, and the ignored.
Oana Avasilichioaei is a poet-artist, sound performer, and translator interested in polyphonic poetics, phonotophes (intermediary spaces between words, sounds, and images), and states of listening. Distinctions include the A. M. Klein Prize for Poetry, the Cole Foundation Prize for Translation, and the Governor General’s Literary Award for Translation. She has been a writer-in-residence at Green College, UBC, and the University of Calgary and an artist-in-residence at Simon Fraser University and OBORO, among others. See oanalab.com.
I Eric America, Diane Raptosh
Publisher: Etruscan Press
Publication Date: October 8, 2024
Format: Paperback
Diane Raptosh’s collection of sonnets, I Eric America, combines elements of family trauma (her brother Eric’s survival of a plane crash and subsequent paraplegia) with disturbances on the national stage. Equal parts origin story, myth, and song, the book unfolds from the premise that “America is the nation-expression of / a severely traumatized person.” Throughout their singing, the poems seek to heal, transmute and transform.
Diane Raptosh’s fourth book of poetry, American Amnesiac (Etruscan Press), was longlisted for the 2013 National Book Award and was a finalist for the Housatonic Book Award. The recipient of three fellowships in literature from the Idaho Commission on the Arts, she served as the Boise Poet Laureate (2013) as well as the Idaho Writer-in-Residence (2013-2016). In 2018 she won the Idaho Governor’s Arts Award in Excellence. A highly active ambassador for poetry, she has given poetry workshops everywhere from riverbanks to maximum security prisons. She teaches literature and creative writing and co-directs the program in Criminal Justice/Prison Studies at the College of Idaho.
The Dog with the Flute in its Mouth, Emily Anna King
Publisher: Finishing Line Press
Publication Date: October 11, 2024
Format: Paperback
There is an origin story that I cannot know; it is mine.
There is an origin story that I must make; it is mine.
The Dog with the Flute in its Mouth negotiates heritage and the new life it takes on in the space of absence. The collection follows the journey of the narrator, the child and the Dog with the Flute in its Mouth as they search for the sound of a name and a way to return home. It represents a deep love that both creates and bears witness.
Emily Anna King (锡萍芳) is a recent alum of University College Cork’s Creative Writing graduate program in Ireland. She currently teaches creative writing and English at Wilbraham and Monson Academy in Western Massachusetts. Her most recent publications are found in Tír na nÓg, Massachusetts Best Emerging Poets 2019 (Z Publishing), Pamplemousse, Lily Poetry Review, Paragon Press, and Otherwise Engaged Journal. While her work often explores the Chinese American adoptee experience, she is also passionate about the intersectionality between language and music.
Loss and Invention, Ann Gengarelly
Publisher: Finishing Line Press
Publication Date: October 11, 2024
Format: Paperback
Loss and Invention is a compelling journey of transformation. While the poetry bears witness to the pain of loss, both personal and universal, it equally uncovers resilience and solace in the natural world. With devoted attention to trees, the visitation from bears, wild turkeys, ravens…who reveal the Mysteries, the poems embody wisdom and offer signposts to discover light. As we travel with the words, we find ourselves at junctures where new languages must be invented, and we hear pleas for healing, both for the poet and for the beggar along the road; as well as Mother and Father. Finally, arriving at “a pond in dark forests,” we can now “trust what we see:” and welcome our “own reflections.”
Ann Gengarelly, since 1980, has been a poet-in-the schools throughout Southeastern Vermont and neighboring Massachusetts and New Hampshire. Ann is Director of The Poetry Studio at her home in Marlboro, Vermont, where she offers after-school and summer classes for students (ages 6-17). Since 2002, Ann has taught adult creative writing classes in The Studio as well. She has published in numerous professional journals ranging from Teachers and Writers Magazine to The Elementary School Journal (University of Chicago Press). She is the co-author with her husband Tony of Another World: Poetry and Art by Young People from The Poetry Studio (Luminare press, 2021).
One As Other, Chard deNiord
Publisher: Green Writers Press
Publication Date: October 8, 2024
Format: Paperback
One as Other is a wonderful poetry collection written in a distinctly minimalist style. Focused on brevity and precise lyrical diction, the poems cover many different subjects from being focused on gardening and nature imagery, to more worldly and atmospheric poems, to the more political, philosophical, and religious. Distinctly non-narrative, most of deNiord’ s poems instead explore the emotional effect of an accumulation of lines through precise diction, musicality, and subversive movements. There’ s also this incredible musicality to the collection through the use of alliteration and internal rhyme. deNiord also explores the effect of small subversive movements within his poems, that give a richness to his work. The reader needs to be paying attention, and those small movements serve as a way to introduce surprise and a tonal change.
Chard deNiord is the author of four books of poetry, The Double Truth (University of Pittsburgh Press, 2011), which was cited as one of the top ten books of poetry by the Boston Globe in 2011, Night Mowing (University of Pittsburgh Press, 2005), Sharp Golden Thorn (Marsh Hawk Press, 2003), Asleep in the Fire (University of Alabama Press, 1990), and Interstate (University of Pittsburgh Press). His latest book of essays titled Some Main Things was published by Mad Hat Press. He is a Professor of English at Providence College and lives in Putney, Vermont.
Don’t see a poetry title published between 10/8 and 10/14 here? Contact us to let us know!
Contents
Check out new poetry books for the week of 9/3 from Press 53, Variant Lit, Orison Books, Red Hen Press, Signal Editions, Knopf, New Directions, Wesleyan University Press, Bloodaxe Books, Blair, Third Man Books, BOA Editions Ltd., Copper Canyon Press and University of Pittsburgh Press.
Chapbook Poem: Frank’s Shoebox by Daniel Damiano
Read the featured Chapbook Poem of the Month for September 2024, “Frank’s Shoebox” from The Concrete Jungle and the Surrounding Areas by Daniel Damiano, along with a few words from the poet.
Poetry Chapbooks (August 2024)
Check out our round-up of poetry chapbooks published in August 2024 by Small Harbor Publishing, Gnashing Teeth Publishing, Bottlecap Press and Finishing Line Press.
Check out new poetry books for the week of 9/10 from Lost Horse Press, Curbstone Books 2, Finishing Line Press, Brick Books, Alice James Books, University of Georgia Press, Four Way Books, University of Pittsburgh Press, Hub City Press, Autumn House Press, New Directions, Grayson Books and Wave Books.
Check out new poetry books being published the week of 9/17 from Red Hen Press, Wayne State University Press, Milkweed Editions, The Kent State University Press, Tin House Books, Wesleyan University Press, W. W. Norton & Company, Ecco, ECW Press, American Poetry Review, Querencia Press, White Pine Press, City Lights Publishers, BOA Editions, Holy Cow! Press, 42 Miles Press, Driftwood Press, Finishing Line Press, Button Poetry, Birds LLC and Metatron Press.
Sept/Oct ‘24: ModPo, Renewal, and Expansion
Read a message from Aiden Hunt about Issue 5 content, the future of Philly Poetry Chapbook Review, and the open online poetry course that inspired the creation of this journal.
Check out new poetry books for the week of 9/24 from Finishing Line Press, Papillote Press, At Bay Press, University of Iowa Press, Nightwood Editions, Andrews McMeel Publishing, House of Anansi Press, Carcanet Press Ltd., Red Hen Press, Perugia Press, Caitlin Press, NYRB Poets, University of Chicago Press and Scribner.
Check out new poetry books for the week of 10/1 from Galileo Press, Cardboard House Press, Press 53, Yorkshire Publishing, Book*hug Press, Lucid House Publishing, University of Arkansas Press, Eris, Roof Books, Polygon, University of Chicago Press, BOA Editions, Wave Books, Coach House Books, Button Poetry, LSU Press, CavanKerry Press, Tupelo Press, The Backwaters Press, Fulcrum Publishing, Wesleyan University Press, Persea, Liverlight, New Directions and Nightboat Books.
Poetry Chapbooks (September 2024)
Check out our round-up of poetry chapbooks published in September 2024 by Small Harbor Publishing, Factory Hollow Press, Wesleyan University Press, GASHER Press, Querencia Press, Black Ocean, Flume Press, RADIX, Red Ogre Press, Bloodaxe Books, Gnashing Teeth Publishing, Bottlecap Press and Finishing Line Press.
Check out new poetry books for the week of 10/8 from Green Writers Press, Unbound Edition Press, Finishing Line Press, Etruscan Press, Talonbooks, University of Arizona Press, University of Pittsburgh Press, Knopf, LSU Press, Princeton University Press, Alice James Books, Wave Books and Copper Canyon Press.
Check out new poetry books for the week of 10/15 from Finishing Line Press, Saturnalia Books, Curbstone Books 2, Roof Books, University of Iowa Press, Milkweed Editions, University of Chicago Press, Graywolf Press, BOA Editions Ltd., Copper Canyon Press, Haymarket Books, Granta Books, W.W. Norton, Nightboat Books, Knopf & Tin House Books.
Chapbook Poem: After the Hurricane Stole My Hammock by Alex Gurtis
Read the featured Chapbook Poem of the Month for October 2024, “After the Hurricane Stole My Hammock” from When the Ocean Comes to Me by Alex Gurtis, along with a few words from the poet.
Check out new poetry books for the week of 10/22 from Duke University Press Books, Finishing Line Press, Knopf, Stephen F. Austin University Press, Button Poetry, Andrews McMeel Publishing, University Press of Florida, June Road Press, Autumn House Press, Alice James Books, Nightboat Books, Black Ocean, Book*hug Press, Beacon Press, Burrow Press, Other Press, The Song Cave and Copper Canyon Press.
Check out new poetry books for the week of 10/29 from Wake Forest University Press, Stephen F. Austin University Press, Carcanet Press Ltd, Andrews McMeel Publishing, Ugly Duckling Presse, Texas Review Press, Tupelo Press, Carnegie Mellon University Press, Belle Point Press, University of Nebraska Press, The Song Cave and Book*hug Press.