Philly Poetry Chapbook Review is pleased to present four original poems by allison whittenberg as our third of seven biweekly featured poets of the Summer 2025 issue.
Poems
Eaten
Hollywood Babylon brewed the myth
That’s digested without tasting truth
Malnourished due to how she drank
She drank to dull what the studios drained
Replaced in favor of younger ingenues
She had more art to give
If your capable of class, dream factory
Admit this: Marie Prevost was not “doggie’s dinner”
Her pet didn’t feed on her undiscovered corpse
He barked, howled, desperate for the world to see her
Lost Film
rising star, Martha Mansfield,
went up in flames
a freak Hollywood hazard.
A flammable costume,
those antebellum ruffles
on her large hoop dress,
a lit match tossed her way.
The Warrens of Virginia,
released posthumously.
No print survives.
Harry and Carmen
I know his handsome face, playing
opposite the first Black woman
nominated for an Academy Award
GI Joe, chased by a hot bundle of hips
swaying. Bizet’s Carmen, reimagined in Black
America, charisma intact, though his voice
dubbed poorly. Too much “dat” and “dis”
To be enjoyed, oh Harry,
But not without a wince.
The Vamp
her dark hair short,
confused, with Louise Brooks,
Lya de Putti, Hungarian born
silent era actress
danced and went nude, per request
studied English for the talkies transition
but died to Hollywood
long before that chicken bone
could be removed from her throat
the cruelty of a factory that lures
promising eternal sunshine
yet, slaps with a backhanded
compliment in Cabaret
and, a handful of bubbles,
glistening and gone.
About These Poems
I wrote these poem ‘Eaten,”Lost Film’,’Harry and Carmen’ and ‘The Vamp’ as a tribute to Old Hollywood. I grew up as a film buff and I loved reading Hollywood Babylon. Over the years, I have learned to separate the truth from the myths.
Author Bio
Allison Whittenberg is an award-winning novelist and playwright. Her poetry has appeared in Columbia Review, Feminist Studies, J Journal, and New Orleans Review. Whittenberg is a six-time Pushcart Prize nominee. They Were Horrible Cooks is her collection of poetry.
Killing the Father of Our Country is her lastest novel.
Contents
Chapbook Poem: The Blessed Knot by Li-Young Lee
“A well-made poem is a knot, but not a tangle. The well-made knot of a poem can disentangle readers from illusion, to free them from confusion. Poetry is a form of disillusionment.” Read the July Chapbook Poem by Li-Young Lee along with words from the poet.
“This work is an archive of my attempts to become more familiar with who I am, and why I am here, to immerse myself in these ancient spiritual questions…” Check out five poems and five images by Laynie Browne along with a few words from the poet.
Book Excerpt: Creating Space by Lisa Sewell
“Yoga, the walks, and the writing became a daily exercise in paying attention—to the world, to the bodies in the world around me and to my own body…” Read the Excerpt Poem of the Month for July 2025 by Lisa Sewell along with words from the poet.
“My poetry tries to examine … the difference between the lives we live inside ourselves and the lives we expose to other people.” Read five poems by William Doreski along with a few words from the poet.
July ’25: Poetry Readers Wanted
Read a note from editor Aiden Hunt about PCR’s Summer poetry and new poetry reader opportunities brought by our growing original poetry submissions.
Four Poems by allison whittenberg
“I grew up as a film buff and I loved reading Hollywood Babylon. Over the years, I have learned to separate the truth from the myths.” Read four poems by allison whittenberg along with a few words from the poet.
Chapbook Poem: August Peaches by Winshen Liu
“I wanted to sit with a particular end-of-summer indulgence, where a host has saved specialty foods to welcome visiting friends and family–fancy chocolate, favorite sodas, a certain snack.” Read a poem from Winshen Liu’s chapbook Paper Money along with words from the poet.
Book Excerpt: Cheesecake Factory by Max McDonough
“This poem lives in the weirdness of the suburban mall spaces a lot of us grew up visiting (or loitering in!), places that feel like they could be anywhere and nowhere at once.” Read a poem from Max McDonough’s chapbook along with words from the poet.
Three Poems by Alexandra Meyer
“Love had made me stronger in a lot of ways, but also showed me the weakest parts of myself that were left crystallized for him to see. This was much like wood morphing into rock during the petrification process.” Read three poems by Alexandra Meyer along with words from the poet.
Three Poems by Kristiane Weeks-Rogers
“Anchored by sensory detail, the poem journeys between childhood safety and adult experience in a canyon town shaped by rivers and monsoons. … This poem is a meditation on time, tastes, and tenderness of memory.” Read three poems by Kristiane Weeks-Rogers along with words from the poet.
Chapbook Poem: The Seventh Age of Shakespeare’s Father by Scott LaMascus
“This poem hit me hard last winter, sitting a moment near my late father, as our family was trying to absorb the meaning of his ALS diagnosis … I wondered, if ‘all the world’s a stage,’ what role had I just been assigned?” Read the featured Chapbook Poem of the Month for September 2025 along with words from the poet.
Book Excerpt: Landscape with footprints in ash by Selma Asotić
“When I want to sound smart, I say things like: a poet is one who leaves. When I accept that I’m not very smart, mostly just perplexed and a little scared, I write poems about ghosts and circle farms.” Read a poem from Asotić’s new book, Say Fire, along with words from the poet.
“All of my encounters with the U.S. healthcare system follow the protocols of the ridiculous. This poem, couched in the conventions of the contemporary sonnet, explores my latest, decisive encounter with a doctor’s office.” Read three poems by Robin Arble along with words from the poet.
September ’25: Best of the Net Nominations
Editor Aiden Hunt announces Philly Chapbook Review’s Best of the Net 2026 anthology nominations in this editor’s note and provides links to the nominated poems.
Verses of Mourning: in the aftermath by Jessica Nirvana Ram
“[Ram] presents a revealing and heartbreaking collection that asks the reader to think about what they remember the most about those they have lost.” Read Alex Carrigan’s full review.
“This poem reckons with our capitalist, product-driven society to ask people why disabled stories are only relevant if they portray the ‘other’ overcoming trauma to become abled people’s inspiration porn.” Read three poems by Makena Metz along with words from the poet.