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PCR is calling for submissions of original poetry and fiction from August 1 and September 15 for our Fall 2026 issue and beyond. Read this post for details:
Call for Fall Poetry & Fiction Submissions
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July ’26: Summer Fiction & New Highs
by Aiden Hunt
Managing Editor Aiden Hunt shares statistics from PCR‘s Spring submission period, announces a rule change, and welcomes two new members of the Philly Chapbook Review staff in this note.
by Maggie Wang
“This language offers one possible framing through which to appreciate the law’s capacity to hope for, request, and even command commitment to a more just future.” Read two poems by Maggie Wang, our first biweekly poet of the Summer 2026 issue, along with a few words about “Possibilities for Action.”
Chapbook Poem: I’ll Never Look This Good Again by Douglas Piccinnini
“[The poem] came out of real pressure: despair, worry, and grief I wanted to hold unflinchingly, alongside the anxiety of becoming a parent… For me the poem became a meditation on all the feeling that surfaces precisely when we’re told to feel only joy.” Read an excerpt from Douglas Piccinnini’s chapbook, House of Bad Memories, along with a few words from the poet.
by Joely Williams
“She sees herself in carbon, the element that bonds with almost anything- not because it wants to, but because it has empty spaces and things keep showing up to fill them. Notifications. Noise. Needs that never stop arriving.” Read four poems by Joely Williams, our second biweekly poet of the Summer 2026 issue, along with a few words about “Single Mother Considers the Periodic Table.”
ADHD in a Non-ADHD World: on Undersight by Alison Hurwitz
by Nancy Murphy
“[Hurwitz] shares moments of angst and moments of awe. More than that, there are moments of deep recognition. She sees herself in [her sons] and, in fact, receives a later-life ADHD diagnosis of her own.” Read the full chapbook review by new contributor, Nancy Murphy.
by Irene Cunningham
“The woman’s head & hair are lavishly dressed. I probably leapt off the logic of the hairdresser being blind and therefore had to work on the head/body/mind rather than just hair as a surface issue of presentation.” Read two poems by Irene Cunningham, our third biweekly poet of the Summer 2026 issue, along with a few words about “The Blind Hairdresser.”
by Kimmy Chang
“‘Nova’ is a lyrical second-person story about the narrator’s first true encounter with death…the story presents loss not as beautiful in itself, but as the place where beauty begins.” Read the first original fiction piece of the Summer 2026 issue, “Nova” by Kimmy Chang.
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